Monthly Archives: November 2007

A Mahlerite’s Starter Kit – Guide to Gustav Mahler

A Mahlerite’s Starter Kit

A Personal View

Introduction

I have written this (way back in 2001) to help the newcomer to Mahler’s music to find his/her way through so many choices of literature and recordings related to Gustav Mahler. As you will notice shortly, no choices have been offered for each individual work since it is assumed that a ‘newcomer’ by definition will not be able to know how to choose between the works (no offense) and also so that the newcomer will not be confused. The suggestions here have been carefully considered and I am quite confident that the newcomer will not be too far wrong if these suggestions are followed. There will surely be some enthusiasts who would not be agreeable to this selection and I would like to emphasize that this is a personal view and therefore to be taken with a grain of salt for people who are confident to trust this selection.

It is my desire that you explore Mahler at your own pace, enjoying every moment of your new discovery and find your moment in Mahler’s music. Collect all of these at your own pace too because as experience had taught me, one can easily go bankrupt (both financially and mentally) trying to accumulate all these at one go! If you have trouble locating any of these materials, please just send me an e-mail and I’ll see what I can do for you (try to source it for you or just to lend you my copy etc.)

It occurs to me that you might have a problem knowing with which work you should start. It is likely that you have heard Mahler’s music, in a concert hall or in some of those CD compilations. Let me try (I said ‘try’) to help you by attempting to categorise roughly Mahler’s work to suit your particular taste.

Listeners can generally be divided into 2 categories as far as Mahler’s works are concerned, the first being those who like vocal music and the second being those who like orchestral music.

For people who likes to listen to vocal music, e.g. fans of Schubert’s lieder , you might like to start with Mahler’s lieder . His songs can generally be categorised into (a) pieces grouped together to reflect a collection of songs with common themes/origins/composed around the same time period and (b) song cycles, i.e. several songs inter-related to each other. Examples of the first type will be the collection of songs in Des knaben Wunderhorn and examples of the second type will be like the Lieder eines fahrenden Gesellen . You might like to try out these two works first. You might also be interested to know that Mahler did compose a cantata called Das klagende Lied , a work he composed at around the age of 20 but which is already matured with a lot of his Mahlerian styles firmly established. There are also many other excellent and charming lieder that Mahler had composed and if you do not want to start with the works mentioned above, you might like to try his earlier compositions now compiled under Lieder und Gesänge . A particularly good recording is the one on Hyperion with Dame Janet Baker as mezzo soprano and Geoffrey Parsons on the piano. The ultimate Mahler ‘lied’ is of course his Das Lied von der Erde , where he fused symphony and song into a Song-Symphony, an exhilarating and rejuvenating experience for the listener.

Touching on Song-Symphony, Das Lied von der Erde is not the first work in which Mahler used voices in his symphony. In fact, he used voices in his 2nd, 3rd, 4th and 8th symphonies, so if you like this style, you might like to venture from a lied fan to a Song-Symphony fan.

Now, for listeners who like to listen to symphonic works. Let me very casually try to categorise Mahler’s symphonies. Of all the 11 symphonies (10 numbered symphonies with the 10th unfinished and Das Lied von der Erde ), the 1st and the 4th are the lightest. So if you like light symphonies, you might like to start here. Be fore-warned that Mahler’s symphonies are never ‘light’ as in pure, meaningless music with easy to listen melodies but the word ‘light’ here is used relative to his other works. If you like music a la the second Viennese school, you might want to start with his 7th symphony which displays very interesting musical experimentation and innovations, besides a very well-balanced structure (his 10th is also in this league). Interesting musical innovations can also be found in his 5th (with a lovely adagietto movement) and 6th (called ‘Tragic’, a dramatic and heavy work which uses a large hammer in the percussion section!) symphonies, especially his experiments with counterpoint and polyphony. As I said above, if you like grand voices within a symphony, you might like to try his 2nd and 8th symphonies. The second is nick-named ‘Resurrection’, with very powerful and yet subtle music and part II of the 8th is set on Goethe’s Faust . Both are very heavenly, grand and very positive works, as powerful, if not more powerful than Beethoven’s 9th. Mahler’s Das Lied von der Erde , his 9th and 10th symphonies are very ‘spiritual’ works, if I may use that word. They are full of introspection and its music inspires a level of ‘enlightenment’ not found in his earlier works. I would like to call it ‘Zen-like’, for simplicity’s sake. If you like deep, spiritual, introspective music, you might like to start with these 3 works.

A word of caution though. Mahler’s works are very tightly related to each other and what I have done, i.e. dissecting/categorising his works in this manner is really not right. So, while I try to help you categorise the works to suit your taste, please bear this in mind. One can never fully appreciate Mahler if all his works (save some juvenile/lost works) are not heard because unlike many other composers, each one of his work is significant and has something to say.

Mahler’s music can generally be categorised into 3 distinct periods (I know some of you will not agree). The first is his Wunderhorn period, characterised by his greater use of the materials from the poem collections called Des knaben Wunderhorn where he set a lot of the text to music as in the recommendations noted earlier in the preceding paragraphs. The first 4 symphonies can be said to belong to this period, therefore easier to listen to. The second period is where he broke with his established style (not completely though) and experimented more daringly with music. His 5th, 6th and 7th symphonies can be said to belong here. His 8th symphony can be seen as the culmination of his success and all his work so far. The 3rd and final period started when his life begin to fall apart, with three tragic incidences affecting his whole life. He became more introspective, more ‘spiritual’. His Das Lied von der Erde , 9th and 10th symphonies can be said to belong to this category.

Well, that’s all I can say now. I will be sure to revise this some time soon to correct errors (if any) or to add more insights once I have them but meanwhile, I hope it is useful to you. And finally, I hope that you will enjoy listening to Mahler’s music, finding in them something special that you will hold dear many years to come. I envy you because you can explore Mahler’s music in all its freshness and excitement. I hope you will feel as excited and elevated as I was when I was once at your position.

The rest is up to you.

To Read

Gustav Mahler : The Symphonies by Constantin Floros, Vernon Wicker (Translator), Jutta Wicker (Translator)

Comments: “Constantin Floros undertakes a precise and detailed exploration of each of the symphonic works [including the 10th], bringing to light their programmatic and personal aspects, as well as Mahler’s musical techniques. [He] also examines the history and autobiographical origins of each work and discusses the personal events that profoundly influenced the composer’s writing”

Mahler : A Biography by Jonathan Carr

Comments: A highly readable and informative biography, examining and challenging pre-established views on Mahler and offering an alternative point of view.

To Listen

Mahler: Symphony No. 1, Lieder / Rafael Kubelik, Fischer-Dieskau

Conductor: Rafael Kubelik
Performer: Dietrich Fischer-Dieskau
Uni/Deutsche Grammophon – #449735
Audio CD (May 13, 1997)

Mahler – Symphony No.2 ‘Resurrection’

Conductor: Simon Rattle, Arleen Auger
Performer: Janet Baker, City of Birmingham Symphony Orchestra and Chorus
Emd/Emi Classics – #47962
Audio CD (November 6, 1987)
Number of Discs: 2

Mahler: Symphony No.3

Conductor: Jascha Horenstein
Performer: Ambrosian Singers, Wandsworth School Boys’ Choir, et al.
Unicorn-Kanchana (UK) – #2006
Audio CD (August 16, 1993)
Number of Discs: 2

Mahler: Symphony No.4/Songs Of A Wayfarer

Conductor: Cleveland Orchestra, George Szell
Performer: Judith Raskin, London Philharmonic Orchestra
Sony Classics – #46535
Audio CD (August 13, 1991)

Mahler: Symphony No5

Conductor: Sir John Barbirolli
Emd/Emi Classics – #66962
Audio CD (January 12, 1999)

Mahler: Symphony No6

Conductor: Herbert von Karajan
Performer: Christa Ludwig
Uni/Deutsche Grammophon – #457716
Audio CD (May 12, 1998)
Number of Discs: 2

Mahler: Symphony No. 7

Conductor: Michael Tilson Thomas
Performer: Ian Bousfield
Bmg/Rca Victor – #63510
Audio CD (September 14, 1999)
Number of Discs: 2

Mahler – Symphony No. 8

Performer: Sir Georg Solti, Arleen Auger, et al.
Uni/Decca – #460972
Audio CD (August 10, 1999)

Mahler: Das Lied von der Erde

Conductor: Otto Klemperer
Performer: Christa Ludwig, Fritz Wunderlich
Emd/Emi Classics – #66944
Audio CD (January 12, 1999)

Mahler:Symphony No.9

Conductor: Leonard Bernstein
Uni/Deutsche Grammophon – #19208
Audio CD (July 7, 1987)
Number of Discs: 2

Mahler – Symphony 10

Conductor: Simon Rattle
Emd/Emi Classics – #56972
Audio CD (June 6, 2000)

Mahler: Kindertotenlieder/Rückertlieder/Lieder eines fahrenden Gesellen

Conductor: Sir John Barbirolli
Performer: Dame Janet Baker
Ensemble: Halle Orchestra
Emd/Emi Classics – #66996
Audio CD (May 4, 1999)

Mahler: Das Klagende Lied

Conductor: Kent Nagano
Performer: Eva Urbanová, Jadwiga Rappé et. al.
Ensemble: Halle Orchestra & Choir
Wea/Atlantic/Erato – #21664
Audio CD (July 14, 1998)

Mahler Lieder: Des Knaben Wunderhorn

Conductor: Wilhelm Furtwangler, Rudolf Kempe
Performer: Dietrich Fischer-Dieskau
Emd/Emi Classics – #67557
Audio CD (April 10, 2001)

Mahler’s Songs of Youth

Performer: Dame Janet Baker, Geoffrey Parsons
Hyperion (UK) – #66100
Audio CD (February 28, 1988)

To Watch

Mahler (1974)

Starring: Robert Powell, Georgina Hale, et al.
Director: Ken Russell

Websites:

Chicago Mahlerites

The Mahler Symphonies

The International Gustav Mahler Society

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Some Photos From Cambodia

Here are some photos from our Cambodia trip, taken by my wife


Beautiful Angkor Wat at sunset.


An apsara at sunset in Angkor Wat


The wonderful Ta Phrom


Some of the carvings on the walls of Angkor Wat


Many headless Buddhas stolen by art thieves. One reason I cannot stand seeing the Buddha head being displayed at some places, even if those are just replicas.


Cambodian children very happy with sweets we gave them. Bring lots of sweets and pens to give to them.


Children playing with the water on the Tonle Sap lake.


Entrance to Angkor Thom


Some of the huge carvings at the Bayon


The Happy Herb restaurant at Siem Reap

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Four Books Meme and more

With the invasion of Facebook in my life (and countless other lives), I tend to spend a rather large percentage of my private online time on it and catching up with friends. I also seem to be writing there, using the Notes function, which saw me writing 2 notes which should have belonged to this blog! Anyways, I will still write on this blog, no less but for those readers here who are also on Facebook, let’s be friends there :)

Okay, maybe before I go to the meat of this post, a couple of things that got me hooked during October (besides others – e.g. poker and I am now loving Omaha Hi/Lo!):

Movies: Have been watching Tarkovsky’s STALKER again and again and still marvelling! Absolutely great movie.

Books: THE KITE RUNNER by Khaled Hosseini. Great story of friendship and redemption as happened in the land of Afghanistan, spanning 2 decades and thus also revealing Afghanistan’s terrible fate in during those years.

Okay, now I am tagged by my great friend YTSL in her blog and here it is. I love here memes which always get me thinking ;-)

Four childhood books

I don’t read a lot during my childhood. I only really started reading when I am about 13 years old and it was then that I started to read the Enid Blytons, even a couple of Nancy Drews. However, I distinctly remember being read a book when I was a kid and that was the “3 Character Classic” – yes, that Confusian-Mencian tradition one.

I also remember flipping through some Children’s Encyclopedia books but no memories really came from that except that the idea of the existence of the Universe really stuck and I can still remember this Copernican revolution for my small mind that time.

I really don’t remember reading much during my childhood days. But I do play a lot, hang out in the streets a lot and do all sorts of naughty stuffs – and get spanked real hard by my mom and I had to hide underneath my grandma’s chair.

Four authors I will read again and again

1. Lin Yutang

2. Rabindranath Tagore

3. Ralph Waldo Emerson

4. Haruki Murakami

Four authors I will never read again

Because I read by way of recommendation and don’t really plunge in reading books by people I have never heard of, but here are some author’s whose works I will never read again, not at least for now!

1. Hegel – Heaven! What???? Read this: “The bond of duty can appear as a restriction only on indeterminate subjectivity or abstract freedom, and on the impulses either of the natural will or of the moral will which determines its indeterminate good arbitrarily.”

2. Anything by, or associated with, Donald Trump. I just cannot stand seeing that guy’s face.

3. Adeline Yen Mah – when I read Falling Leaves, I got sucked in only to realise that I got tricked with false sympathy. Hate being taken for a ride.

The first four books on my to-be-read list

1. A Thousand Splendid Suns – Khaled Hosseini

2. The Complete Works of Anton Chekhov

3. Gustav Mahler: Volume 4 A New Life Cut Short 1907-1911 – Henri Louis de la Grange

The four books I would take to a desert island

1. The Importance of Living – Lin Yutang

2. Ralph Waldo Emerson – Essays and Journals

3. The Dhammapada

4. The Old Man and The Sea – hahahaha!

The last lines of one of my favourite books.

“And how long do you think we can keep up this goddamn coming and going?” he asked.

Florentino Ariza had kept his answer ready for fifty-three years, seven months, and eleven days and night.

“Forever,” he said.

-Love in the Time of Cholera – Gabriel Garcia Marquez

Now don’t blame me for this for I am a sucker for romantic stories :)

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